MIXED SWIMMING AN INTERVIEW WITH JACKSON GAY BY ROLIN JONES In May 2019, word got out about a 24-hour-long live reading of “The Mueller Report.” After theatregoers recovered from the ...
STEP FORWARD BY TY DEFOE Art revolves around the ever-changing construction and reconstruction of culture, through an astonishing ensemble of connections among people, land, and spiritual worlds. If I were ...
From the SDC Journal Spring 2019 issue Director Jo Bonney and actor Gregg Mozgala worked together on the Manhattan Theatre Club production of Martyna Majok’s Pulitzer Prize-winning Cost of Living, ...
From the SDC Journal Spring 2019 issue Pre-Show/Post-Show with Olga Sanchez Saltveit – University of Oregon What I love about theatre is…it’s holy, at its best. Cleansing, restorative, transcendent. And ...
From the SDC Journal Spring 2019 issue Moderated by Chay Yew Last fall, eight directors gathered with Chay Yew in a rehearsal room at Victory Gardens Theater to discuss what ...
THOMAS KAIL directed the musicals Hamilton and In the Heights, as well as the plays Lombardi and Magic/Bird, on Broadway. Off-Broadway, his credits include Kings, Tiny Beautiful Things, Daphne’s Dive, ...
Over the past two decades, sound design has been more fully recognized as essential to the overall design and shape of plays. The relationship between director and sound designer can be ...
by Kholoud Sawaf Sometimes as directors, we have to say no. As a Syrian Muslim woman director in the United States, I often get approached with projects that aim to ...
Creative producer and dramaturg Megan E. Carter, former director of SDC Foundation, has worked with RACHEL DICKSTEIN and her company, Ripe Time, in multiple capacities. She recently talked with Rachel ...